Download , by Leo N. Tolstoi
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, by Leo N. Tolstoi
Download , by Leo N. Tolstoi
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Produktinformation
Format: Kindle Ausgabe
Dateigröße: 1393 KB
Seitenzahl der Print-Ausgabe: 627 Seiten
Verlag: Beelzebub Classics (5. Juli 2019)
Verkauf durch: Amazon Media EU S.Ã r.l.
Sprache: Englisch
ASIN: B07DRMX66J
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Durchschnittliche Kundenbewertung:
3.7 von 5 Sternen
21 Kundenrezensionen
Amazon Bestseller-Rang:
#915.935 Bezahlt in Kindle-Shop (Siehe Top 100 Bezahlt in Kindle-Shop)
The question whether love can rise above social condition is the contradiction that has puzzled the world for centuries. Even in modern fairytales like The Bridge of Madison County and Horse Whisper, the paradox manifests itself in readers' imaginations with two different strands of solutions trying to unite. Tears are shed when passion indeed thrives but social constraint separates the hungry hearts, but when one focuses on the other side of that paradox, we see tragedy in both Emma Bovary and Anna Karenina.When Anna deserts her husband, a sophisticated bureaucrat, and her young son, ultimately her status to succumb to her desires for the dashing Vronsky, society abandons her as well. She is moved by Vronsky's words that solve the mystery of her unhappy marriage life, "But how often the happiness of marriages founded on reason crumbles to dust because the very passion that was disregarded makes itself felt later". Running in parallel with Anna Karenina's adultery is Levin's, a young nobleman a.k.a. Tolstoy's fictional counterpart, quest for truth in love and in religion. What he seeks in life manifests the same physical and mental burden as he struggles to gain control of a life that is indeed under the dominance of social status.What puzzles me is if Anna's tragedy is to be presented in a modern setting with fewer social constraint, how the outcome would differ. Morality of society alters while morality of mankind alters little; that statement itself may create some obstacle in a replay, but perhaps more freedom is indeed allowed in the modern world which explains the frequency of divorce and of course, crimes. No one can abide the law according to Tolstoy, and that certain doesn't change with time and progress. Love cannot exist free of social influences, but passion could. Yet at the end, love thrives over social boundaries while passions dies tamed perhaps by the iron claws of systematic limitations.
I love amazon.com because we get to comment on old books as well as new. Thank you, management, for being there.As one person has said here, I, too, felt terribly sorry for Seryozha, Anna's little son. In fact, I have always thought someone should write a sequel to the book, (if they had the nerve), about the child's future life.I detested Anna's husband; when I read the book again years later I did not despise Vronsky - he's just weak and frankly, it was a no-win situation. In any case, I have often, as a woman, referenced back to Anna's situation, both from my own as well as friends' experiences. Despite the author's maddening relationship with his wife and other women, he really "got it" when it came to Anna. All in all, a divine creation that can never be surpassed.
"Anna Karenina" is why the novel was invented. It is a colossal achievement that fully exploits the possibilities inherent in the literary form. The purpose of the 19th-century novel was to explore character and to critique society, and Tolstoy here has achieved the quintessence of both aims. The thing about Tolstoy is that you can trust him -- he is utterly honest. He doesn't revise, or simplify, or sugar-coat. He presents the human mind, in its various guises, precisely as it is. Levin, to my mind, rivals Hamlet as the most vivid, fully living character in literature, and he is probably much more self-consistent than the Melancholy Dane. Anna's story, which is more melodramatic and plot-heavy, might strike some as a flaw in comparison to Levin's. And maybe it is a flaw. But one must talk about flaws in "Anna Karenina" as one talks about flaws in Beethoven's 9th Symphony -- blemishes on a masterpiece which, if it errs, errs only in striving further than the art form is supposed to go.Tolstoy's genius at depicting character and psychology is matched by his ability to construct vivid, memorable setpieces. No one who has read "Anna Karenina" can ever forget the hay-mowing, or Vronksy's horse race, or the heartbreaking scenes of Levin's sickly brother.Even Dickens, with all his glorious phantasmagoria, never achieved what Tolstoy has done here. Tolstoy caught lightning in a bottle: homo sapiens, captured in 800-odd pages. There are only a handful of comparable achievements in all of Western art.
When I first picked up Leo Tolstoy's "Anna Karenina" I was somewhat intimidated by the lenght of it. Being as it was my first Russian novel (many have followed since) I did not know what to expect. Tolstoy utterly amazed me with his ability to bring his characters to life and sketch their subtlest reactions. He is not only a magnificent author, but an insightful social historian describing tenderly the very passionate Russia. "Anna Karenina" tells the story of a woman (Anna Karenina) engaged in an unhappy marriage, gasping for air. When Anna meets Vronky, a young and passionate soldier, her lust for life rekinddles as she awakes from the dead. Such behavior is inexcusable in her reserved high society environment and is something that will haunt her. The other main character, Konstantine Levin, struggles also with life. When he eventually achieves his long term goal and wins the heart of a young beauty named Kitty, he finds that he is still not content with life. "Anna Karenina" is an amazing novel that entrapps the reader in the mystic high society of Russia and expresses to him the conseuqences that being human can often lead to. His stunning characters although from a different era carry within themselves a little bit of Leo and -in truth- a little bit of everyone.
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